|
Frank's use of conceptual continuity was pretty much how a character in a song or a musical or lyrical phrase could reappear in another song if he thought it enhanced the song. Some of my favorite bits of this Conceptual Continuity:<br><br>01 Part of SINISTER FOOTWEAR cropping up within WILD LOVE. (Or is that vice-versa!)<br>02 "Wanna buy some ________, Bob?" <br>On FLAKES and the BBYNHIYL version of TORTURE, Frank pokes fun at Bob Dylan. (By the way, Dylan's KNOCKED OUT LOADED album has Frank's name listed in the thanks to's)<br>03 JEWISH PRINCESS theme "hidden" in the fade out of CATHOLIC GIRLS.<br>04 All the little bits of LUMPY GRAVY that pop up on WOIIFTM and vice-versa<br>05 On PACKARD GOOSE, Ike says "What is that, Musk?", which was a line from the DENTAL HYGEINE DILEMMA routine.<br>06 Bits of BIG SWIFTY incorporated into GREGGARY PECCARY<br>07 NO NOT NOW and STRICTLY GENTEEL (Jazz Noise) refer to Donny & Marie Osmond's "Go Hawaiian" Hawaiian Punch commercial.<br>08 In SY BORG, Joe (Ike) sings a line from OH NO, because he can't believe how the chrome plated machine that looks like a magical pig with marital aids all over its' body is 'way more fun than Mary and cleaner than Lucille'.<br>09 In HARRY YOU'RE A BEAST on WOIIFTM you can hear a bit of ORANGE COUNTY LUMBER TRUCK right before Madge starts crying.<br>10 Is HARRY in HARRY YOU'RE A BEAST the same character as HARRY in Thing-Fish?<br><br>As far as conceptual continuity in the project/object of my life goes, I'm the main character I keep introducing into the final product! ;D
_________________ And if you don't know by now The truth of what I'm tellin' you Then surely, I have failed somehow...
|