Ecuatorial wrote:
Also, did he do any compositional work with the recordings on the synclavier?
Maroual wrote:
Yep, one track => Dio Fa on
Civilization Phaze 3the throat singer on 'dio fa' was not credited on
civilization phaze iii.
however, his name is kaigal-ool khovalyg. he's a member of the tuvan group huun-huur-tu.
Ecuatorial wrote:
In addition to the Tuvan singers, did he also have interest in overtone singing of other cultures such as that of Sardinia?
Quote:
dm: what about music from africa? do you ever listen to the tribal stuff?
fz: yeah. I've heard it, but I'm... a lot of people are fascinated by the rhythm, but the rhythm of it is not so exciting to me. I'm not as interested in african music as l am in bulgarian or sardinian or indian music. I think a lot of people listen to african music and want to consume it in the same way that they would consume a u.s. drum machine record. that fancy constant rhythm. and my taste in rhythm goes in other directions.
mg: didn't you attend a concert of the bulgarian women when they came here? did you meet them?
fz: it was a fairly frightening experience. they take a few musicians along with them. there's a guy who plays some kind of a drum-like thing or guitar-like thing but it looked to me like these guys were bulgarian kgb, like they were watchdogs for the group. they had the special look, the black leather coat. and they were hanging out backstage, and when it was done, after the concert, the girls were in the dressing room. they were kind of lined up in a formal reception thing and we got to come in and say hello, and then we were ushered out. you couldn't really have any communication with them.
fz interview 1992