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Songs Played; First release album:
1. Cosmik Debris; Apostrophe'
2. Wild Love; Sheik Yerbouti
3. Cheepnis; Roxy & Elsewhere
4. Lonely Little Girl; We're Only In It for the Money
5. City of Tiny Lites; Sheik Yerbouti
6. Dumb All Over; You Are What You Is
7. What's New in Baltimore; FZ Meets Mothers of Pretention
8. Joe's Garage; Joe's Garage
9. Wind Up Workin' in a Gas Stn; Zoot Allures
10. San Ber'dino; One Size Fits All
11. Dupree's Paradise; Perfect Stranger
12. Uncle Remus; Apostrophe'
13. Willie the Pimp; Bongo Fury
14. Peaches en Regalia; Hot Rats
15. Freak Out Medley including
"How Could I Be Such a Fool"
and "I Ain't Got No Heart"; Freak Out!
16. Pygmy Twylyte; Roxy & Elsewhere
17. Dog Breath; Uncle Meat
18. G-Spot Tornado; Jazz From Hell
19. Illinois Enema Bandit; Live in New York
Encore-1. I'm The Slime; Over-Nite Sensation
Encore-2. Muffin Man; Bongo Fury
They skipped the set break. I guess they must have been in a hurry to get out of town!
Performers: Dweezil Zappa (guitar), Ray White (vocals, guitar), Jaime Kime (guitar), Pete Griffin (bass guitar), Shiela Gonzalez (saxes, keyboard, etc.), Aaron Arntz (keyboard, trumpet), Billy Hulting (percussion), Joe Travers (drums, vocals)
Magic phrases: hot dogs and pie; squash
Once again, Dweezil has conjured up an excellent concert of his father's music. Video and audio of his father accompanied, as I recall, Cosmik Debris, Dumb All Over, the Illinois Enema Bandit, and Muffin Man. It was great to see Frank performing with the band, but I'm glad it wasn't overdone. Any more than four times would have seemed a bit like cheating on the live element of the performance. Frank's video solos were well chosen. It was cool to see Dweezil playing live on the very same guitar that his Dad was playing in the video for one of the numbers. Dweezil's solos and those of Frank were the highlights of the evening, but the rest of the band excelled as well, especially in Dupree's Paradise. Ray White, Aaron Arntz, Sheila Gonzalez, and Billy Hulting were especially impressive, at various moments. Ray White has a great voice and delivery for bluesy numbers.
I am very grateful that Dweezil is keeping Frank's music alive and playing it with integrity and authenticity. Any carping on my part therefore seems ungrateful, but I'll make some suggestions, by way of feedback. The amplification for the microphone for the vocals for Willie the Pimp needed to be turned up. As it was, the lyrics were excessively buried underneath the instrumentation.
For me personally, the playlist could have been better (even limiting possibilities to items the band has been playing during this year's tour). Neither Cosmik Debris nor Wild Love are among my favorites. On the other hand, Cheepnis, City of Tiny Lites, Dumb All Over, What's New in Baltimore, Joe's Garage, Wind Up Workin' in a Gas Station, San Ber'dino, Dupree's Paradise, Uncle Remus, Willie the Pimp, Peaches en Regalia, Pygmy Twylyte, Dog Breath (from Uncle Meat) (which I believe Dweezil erroneously introduced as "Dog Meat"), G-Spot Tornado, Illinois Enema Bandit, and Muffin Man were all excellent choices. All of these were also played very well, although this night's performance of Peaches was neither the best nor the worst version I've heard. There are much better choices from We're Only In It For the Money than "Lonely Little Girl." Also, I would have GREATLY preferred the medley from Absolutely Free to the relatively inferior Freak Out! medley. America Drinks and Goes Home is, in my opinion, the greatest Frank Zappa song from the first two albums and I would have loved to hear it played. I'm the Slime was a weak selection for the first encore piece. I was very much hoping to hear Yo' Mama (especially the guitar interlude played by either Frank or Dweezil) at some time during the evening. This group has played Black Napkins at some tour stops and I would very much have liked to hear it, as well. I guess I shouldn't complain with sixteen out of the twenty-one selections to my liking, but I hated to miss out on America Drinks and Yo' Mama.
Dweezil is not yet quite the guitarist that his Dad was at his peak, but, then again, even Frank wasn't always the guitarist that he was when he was at his peak, either. I'd say Dweezil is as good as his Dad was around the mid to late seventies and has a possibility of ultimately matching his father's prowess at his peak, from around 1981-1985. I don't mean that as a slight to Dweezil because very few, if any, guitarists have ever been capable of the compositional improvisation that Frank exhibited at his best. Dweezil is already a superlative performer by any other standard. The care with which Dweezil prepares his young musicians to play Frank's exceptionally difficult music is very evident and highly commendable. It was amazing, for example, to hear the group's excellent performance the rapid and complex synthesizer piece, G-Spot Tornado.
Anyway, GREAT concert! I hope you return to Providence over and over again. My group and I (we were nine, this time) will return as often as you do. Bravo, Dweezil! We all love you and your work!
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