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Hey DZ,
Just read the blog entry regarding the delay on the downloads.
If you want the opinion of one fan, I say take as long as it takes! Don't rush it on my behalf! I would MUCH rather wait till the end of the tour and then some, so that you guys can do this work unfettered by distractions.
I have to admit one bit of curiousity. I am wondering why you did not choose to go with a lossless format like FLAC for the downloads? Hell, I'd be willing to pay an extra 20 bucks per show just for the chance to get them in FLAC instead. For that matter, I'd pay $25 bucks per show to be able to download the rest of the Tour of Tiny Stages as well.
Regardless of all of that, sitting here two weeks out, I am still floating on the buzz from seeing this band again. I was DFC right behind the soundboard on this final night of the run. I spent a good 2/3's of the show with my eyes closed, submerged in the performance.
Someone else mentioned in one of the reviews that the set lists were approaching an 'almost GD like quality'. Being one of the small minority of Deadheads who are also FZ lovers, I noticed that too. It certainly is one of the things that I have hoped for most since my first show with you at the Auditorium Theatre.
I never saw FZ. In fact, in my 20's when people first started trying to expose me to it, I quite literally hated it. I can remember saying to a friend at one point, 'too many minor keys, and the changes are too weird' or words to that effect. So I never bought all the orginal albums, never even listened to most of them. By the time I was actually interested and starting to explore was just as FZ started to release the YCDTOA.
Thus I had no idea what it meant when you told us earlier this year that you had 'Billy' up and running. All I knew going into that first night was this was a song that hadn't been played live for a very long time(which in itself is a turn on for any deadhead). I avoided reading about it online, and kept my virginity intact.
So that first version of Billy for this band, was my version of Billy too. Incidentally, there were plenty of other songs played that I had never heard before, or if I had heard them, it was at a point when I was completely dissociated in the past. Thus, as far as I know, this run was my first exposure to 'Cretins', 'Lagoon', 'Packard Goose', 'Magic Fingers', 'Oh No', I'm Not Satisfied and plenty of other tunes that you had not played here in Chicago over the past three years.
But the first 'Billy' was really an experience. Because I had no idea what was coming, I had to pay extremely close attention or I would have become lost. I came away telling myself that if 'Tommy' was the first Rock Opera, then 'Billy' was the first Rock Operetta.
On one topic, I need to correct myself. I mentioned earlier that I wished you would play two sets instead of one. But I realize now that you do. Or at least you did on this tour. The guitar giveaway serves as a set break, at least for the listener.
Finally, back to that GD setlist idea, I began to wonder if you might have met or cross polinated with the folks around Phil & Friends during appearances at festivals this past summer. It really struck me when you put 'Cretins' together with 'Andy'. Maybe this is some famous live combo from the history of FZ, maybe not, but the two songs are complimentary not only in a pure musical sense, but in the stories which they tell. That overall theme, or feel, seemed to be continued through the night, culminating with 'Trouble'.
So really the only question left is, How soon can you come back, and how long can you stay? Another three nights, either at the Morse(which is great because it is in my own neighborhood) or at any other venue in Chicago, would be great. And the challenge next time is to create three set lists, with no repeated songs, that offer an arc through the project and the objects, with continuity clues, and maybe even secret words.
Come tell us a story in the style of DZ.
Just my take.
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