The NORVA is a 'stand-up' venue with no seating in an old vaudeville theater, and it is the kind of place that, depending on how hard you want to work at it, you can get as close as you want to the stage and the band. I started out standing near the front, stage left, amongst a group of loud Zappa fans who were so effusive, that I couldn't hear the music, so I began my migratory movements which continued all night.
I am glad that there is no seating, because with an 8 piece ensemble, you really need to be able to reposition yourself to capture the full effect of the band.
My experience with Frank Zappa goes back to some of the funny cuts from Apostrophe (the ones about Nanook) waaaay back in my younger days and that's about it. So... I did not know one single song that was played tonight, but I enjoyed the whole 2 hours and 45 minutes of intense music. I was actually surprised that the band could go that long with just a tiny break before the last three songs of the night. I never realized that Frank's music was such a fusion of jazz, rock and insane lyrics. There were the signature stacatto, unison runs which really (to me) define the Zappa sound, but there was so much more. Especially Dweezil's guitar work.
I really like impressive guitar work. I have seen the likes of Nuno Bettencourt, Tony Iomi, Zakk Wylde, Eddie Van Halen, Metallica and many others, and I must say that Dweezil is in the top 5 for his guitar proficiency and musicality. He would totally lose in an "air guitar" contest though, because he just plays without being a spazz.
Ray White's vocals were great as was his guitar. Billy Hulting on vibes was quite impressive and right on, adding the element that no Zappa concert would be complete without (not to mention his vocal percussions.) Joe Travers knocked the skins off the drums and even though he never stopped moving all night, he certainly doesn't sweat like Lars Ulrich

Pete Griffin tore up the bass in one long piece which featured every member of the band. Scheila moved from sax to keyboard to vocals seamlessly, sometimes doing two or three parts at the same time. Jamie and Aaron completed the group with great guitars, and crazy keyboards and trumpet respectively.
I
really liked the way that ZPZ infused Frank's videos into four of the songs, allowing him to take the vocals and lead guitar as if he was standing right on the stage. (I saw Queen with Paul Rogers last year and there was a lot of retrospective video, but none melded Freddie with the band like Frank was included tonight.) It was almost creepy watching Dweezil play backup for his dad, looking up at the video from time to time, but it really worked!
As the evening wound down and I completed my orbit of my favorite listening spots in the venue, I was struck by how complete it all sounded. Every spot had a different view and with 8 members on stage, I gained a unique perspective that I wouldn't have gotten with assigned seating.
It is quite a testament to someone's music if it can entertain for almost 3 hours when it is all new to the listener. Frank Zappa and ZPZ hit the spot last night.