Tracks
- Part One
- Part Two
Lumpy Gravy
May 13th 1968
Official Release #3
Catalog Number: ZR3836
Produced by: FZ
The Abnuceals Emuuka Electric Symphony Orchestra & Chorus with maybe even some members of The Mothers of Invention:
PIANO, CELESTE, ELECTRIC HARPSICHORD:
Paul Smith
Mike Lang
Lincoln Mayorga
Pete Jolly
DRUMS:
Johnny Guerin
Frankie Capp
Shelly Manne
PERCUSSION (Gongs, Bells, Vibes, Marimba, Timpani, Timbales & assorted insanity):
Emil Richards
Gene Estes
Alan Estes
Victor Feldman
WOODWINDS (Flute, Bass Flute, Piccolo, Oboe, English Horn, Eb Clarinet, Bb Clarinet, Bass Clarinet, Contrabass Clarinet, Alto Sax, Bass Sax, Bassoon & Contrabassoon):
Ted Nash
Jules Jacob
John Rotella
Bunk Gardner
Don Christlieb
Gene Cipriano
FRENCH HORNS:
Arthur Maebe
Vincent De Rosa
Richard Perissi
TRUMPET:
Jimmy Zito
TROMBONE:
Kenneth Shroyer
GUITARS:
Jim Haynes (prob. James Helms)
Tommy Tedesco
Tony Rizzi
Al Viola
Dennis Budimir
BASS:
Bob West
John Balkin
Jimmy Bond
Lyle Ritz
Chuck Berghofer
STRINGS:
Sid Sharp
Alexander Koltun
Tibor Zelig
Ralph Schaeffer
Bernard Kundell
William Kurasch
James Getzoff
Arnold Belnick
Leonard Malarsky
Harold Ayres
Jerome J. Reisler
Phillip Goldberg
Leonard Selic
Harry Hyams
Joseph DiFiore
Jerome A. Kessler
Raymond J. Kelley
Joseph Saxon
Jesse Ehrlich
Harold G. Bemko
CHORUS:
Louie The Turkey
Ronnie Williams
Foon The Younger
Roy Estrada
Spider
Motorhead
J.K. & Tony
Gilly and the girls from Apostolic (Maxine, Gilly, Becky, Monica)
All Night John
Cal & the other John
Pumpkin
Larry Fanoga
Eric & Charlotte
Monica
Jimmy Carl Black (the Indian of the group)
ALSO:
Sammy
Harold
Charlie
Bruce
and the rest of the guys from Atlanta
SPECIAL THANKS TO:
Sid Sharp
Bob Ross & Smiling Jack
Ben Barrett
Normal & Max
my pumpkin
John Judnich
MOON
Magnificently engineered by: Joe, Rex, Pete, Jim, Bob & Gary & Dick.
Digitally Re-Edited by Frank Zappa 1993.
Published ©1967 (renewed 1995) Zappa Family Trust.
Original Art Direction by FZ, NT&B.
Art & Liner notes ©1967, 2012 ZFT.
Liner put together by Cal Schenkel
"It's all one album. All the material in the albums is organically related and if I had all the master tapes and I could take a razor blade and cut them apart and put it together again in a different order it still would make one piece of music you can listen to. Then I could take that razor blade and cut it apart and reassemble it a different way, and it still would make sense. I could do this twenty ways. The material is definitely related."
